Getting Up Close and Personal: Painting the Soulful Magic of Eyes - An Autistic Artist's Perspective

As an autistic artist, the act of painting eyes takes on a deeper meaning for me. Eyes are often considered the windows to the soul, a gateway for emotions and connections to flow. The challenge lies in how to capture this essence, especially when eye contact, an integral aspect of portraying eyes, is difficult for me. Let's delve into this unique journey of mine in creating art that breathes life through the eyes.

When it comes to painting a portrait, eyes play a pivotal role in bringing the subject to life. There's something incredibly motivating about infusing a piece with the soulful gaze that emerges from painted eyes. It's the magic that captivates both the viewer and the subject, creating a bridge of connection that transcends the canvas.

For many artists, deciding when to paint the eyes can be crucial. Some choose to start with the eyes, laying the foundation for the narrative that unfolds between the artist and the portrait. Personally, I find it overwhelming to begin with the eyes. The intense gaze feels like I'm being watched, making it challenging for me to look at it. Instead, I prefer to save the eyes for last. This way, I can build the rest of the portrait and return to the eyes when I'm ready, allowing me to appreciate the depth and emotion they bring without feeling spooked. Although the painting never really looks right until the eyes have been added.

Despite the challenges I face with eye contact, painting eyes has a special place in my heart. There's something magical about the process that transfixes me, drawing me into a world where I can express emotions through brushstrokes and colours. It is a real love hate process for me. Nevertheless, there are a few key elements to keep in mind to achieve the desired effect.

One essential technique is creating the optical illusion of depth known as Trompe l'œil, where the eye appears three-dimensional on a flat surface. This technique adds a sense of realism and draws the viewer into the gaze of the portrait. This can be done remembering the eye is basically a round ball sat in a hole with folds of skin around it. Shading the Lateral Canthus, below the upper lid and the inside corner of eyeball will make the eye seem rounded. Other areas not to forget are the inner canthus, the lower lid, Palpabrel and the Caruncle. These are commonly left out but are nessecary to create those eyes that captivate.

Diagram of the human eye

The whites of the eyes are not pure white; containing subtle shades and tones that bring out the eye's natural appearance. As you can see on this eye there are blues and pinks even pale grays but no whites. These are best used for highlights.

Ensuring that the reflective centre of the eyes are in the same position in each is vital for maintaining symmetry and realism. These small details may seem minor, but they contribute significantly to the overall impact of the portrait, making the eyes truly come alive.

Animal eyes are very similar except they have very little if any whites.

Photo of a dogs eye

Photo of an owls eye

In conclusion, painting eyes as an autistic artist presents its share of challenges and rewards. While eye contact may be difficult for me, the act of capturing the soulful essence on canvas is a deeply fulfilling experience. The magic that emerges serve as a testament to the power of art to transcend barriers and connect us on a profound level.

Let the soulful gaze of your creations speak volumes, transcending words and resonating with all who behold them.

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